{"title":"Kehrer","description":"\u003cp\u003eKustantaja Kehrer: valokuvakirjoja, mm. Aapo Huhta, Wilma Hurskainen ja Bruce Gilden.\u003c\/p\u003e","products":[{"product_id":"tiina-itkonen-avannaa","title":"Tiina Itkonen - Avannaa","description":"\u003cp\u003eHB, 104 pages 45 color ills.\u003cbr\u003e\nKehrer Verlag 2014\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eAvannaa is a selection of Tiina Itkonen’s photographs of Greenland’s landscape in 2002 – 2010. Itkonen has traveled over 1,500 kilometers in the west coast of Greenland by small plane, helicopter, cargo ship, oil tanker, sailboat, small fishing boat, and dog sled. Along the way she has spent time in small villages. Despite the timeless beauty captured in these photographs, there is also a subliminal awareness of the threat to the environment due to global warming. Tiina Itkonen (b. 1968) lives and works in Helsinki, Finland. Since 1995 Itkonen has traveled regularly to Greenland to photograph polar landscape and people. Her work has been exhibited internationally such as at the 54th Venice Biennial, 17th Biennale of Sydney, Danish National Museum of Photography, Kunstmuseum Wolfsburg, Ludwig Museum and New York Photo Festival. 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Perhaps Loneliness Does Not Exist After All is a personal and intimate autobiographical story of survival. It is a story about rebuilding oneself and one’s life again after most of it has been shattered to pieces. In the book, the black and white portraits of the artist’s closest people are combined with more symbolic color images of memories, dreams and the transient beauty of everyday life. All together the book forms a kind of a journey. Or one might also call it a diary, consisting of images rather than of text. 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Vatanen builds layers into her images through painting, cutting, bonding, staging and re-photographing. The images thus emerging interweave into a layered tapestry of time and memory. The four works presented in the book are like four rooms of a house. They conceal untold stories about life, transience and love. There are recurring details and suggestive colors from room to room, opening the door for the viewers’ own interpretations. Crumpled letter paper, butterfly collections, and marks of the passage of time on the walls reveal deeper meanings under the surface. The quiet and lyrical mood of Vatanen’s images will stay with you long after you put the book down. Niina Vatanen (b. 1977 in Kuopio, Finland) studied photography at the University of Art and Design Helsinki. Her works have been on display at several solo and group exhibitions in Finland, Central Europe, Russia and Asia. 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However diverse his themes may be, collected together they resemble many arms all connected to the same body moving in the same direction just in different ways. His career began in the 1990s, with photographs of rock stars and people attending music festivals. Over the years, his themes became more sombre and socially critical and defined the Finnish urban youth culture. He also raised the issues of domestic violence, drug and alcohol abuse and our social taboos towards sexual deviations that exist on the fringes of our society. Lehtola in particular was an already established Rock ‘n’ Roll documentarist which afforded him the opportunity to move within the framework of any given situation without the fear of reprisal. 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