{"title":"Valokuvaajat H","description":null,"products":[{"product_id":"david-alan-harvey-divided-soul","title":"David Alan Harvey - Divided Soul","description":"\u003cp\u003eHB, 166 pages, c.100 colour photographs\u003cbr\u003e\nPhaidon Press (2003)\u003cbr\u003e\nDavid Alan Harvey kuuluu Magnum-kuvaajiin. Hän on työskennellyt vuodesta 1970 National Geographic -lehdelle\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003e'Divided Soul' represents David Alan Harvey's twenty-year journey through the Spanish and Portuguese diaspora in the Americas. In this selection of more than 100 colour photographs Harvey explores the exuberance and incongruities of Hispanic life and culture that hold for him an endless fascination. Since the 1970s Harvey has photographed in Spain, Portugal and throughout the New World, including Cuba, Mexico, Honduras, Brazil and Chile. A passionate and divided soul, where tradition and ritual are inherent in everyday life, is revealed in these photographs of pulsating carnivals in Trinidad, fervent religious ceremonies in Brazil, and intense Easter parades in Puerto Rico. 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Armenialaisten pitkän ja vaiheikkaan historian julmin aika on ilman muuta turkkilaisten kansanmurha 1915–1918. Se on koskettanut jokaista armenialaista. Suuri osa heistä on levittäytynyt ympäri maailmaa. Jaakko Heikkilä tarinoi armenialaisten kanssa Armeniassa, Los Angelesissa ja Venetsiassa. Tarinoiden kautta hän käsittelee raakuutta, kärsimystä, pakolaisuutta ja kulttuuri-identiteettiä, uusia mahdollisuuksia sekä suhdetta uuteen maahan. Syntyneet kuvat ovat voimakkaita ja kauniita, hetkiä lattiattomista taloista, palatsien seinämiltä ja moderneista kodeista. Teema on poliittisesti merkittävä, sillä vaikka kansanmurhassa kuoli 1 500 000 armenialaista, Turkki, Nato ja USA eivät ole tunnustaneet sitä. Kuvateosta täydentää munkki Serafimin tiivistetty historiankirjoitus Armeniasta. Jaakko Heikkilä on kotoisin Kemistä. Hän valmistui vuonna 1983 diplomi-insinööriksi mutta ryhtyi pian freelance-lehtikuvaajaksi ja myöhemmin valokuvataiteilijaksi. Hän on kuvannut muun muassa Torniojokilaakson lestadiolaisia sekä Harlemin kulkijoita, ja kuvista on koottu neljä kirjaa sekä lukuisia näyttelyitä. “Heikkilällä on taito saada ihmiset elämään kuvina – oli siinä sitten vaatimattomia maalaisihmisiä tai suurkaupungin intellektuelleja tai huumehoitolassa lepääviä potilaita. Kuvissa on erityinen valo.” – Marja-Terttu Kivirinta, Helsingin Sanomat “Hän ei kuitenkaan korosta köyhyyttä kurjuutena, vaan etsii vaatimattoman pinnan alta kauneutta, levollisuutta ja suorastaan uskonnollista hartautta.” – Kari Kemppainen, Kaleva “Näyttelyn kuvat jättävät katsojan tapahtuneen eteen. 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Metsävarojen teollinen ja kaupallinen hyödyntäminen on luonut perustaa taloudelliselle toimeliaisuudelle, kytkenyt Suomen maailmantalouteen ja kansainväliseen kulttuurikehitykseen. Jouko Heikkilä on kuvannut Kymin paperitehtaan vaiheita vuosikymmenien ajan. Aineisto muodostaa suuren kertomuksen suomalaisten rikkauden lähteestä, Sammosta, paperin valmistuksesta, sen tekijöistä ja välineistä. 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