{"title":"Valokuvaajat A","description":null,"products":[{"product_id":"jussi-aalto-kohteena-ihminen-muotokuvauksen-opas","title":"Jussi Aalto - Kohteena ihminen - Muotokuvauksen opas","description":"\u003cp\u003eSB, 175 sivua\u003cbr\u003e\nTaide, 1999\u003cbr\u003e\nKlassikoksi muodostuneen muotokuvausoppaan toinen, päivitetty painos.\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eIhmisten kuvaaminen on aina ollut suosituin mutta samalla haastavin valokuvauksen laji. Kohteena ihminen -oppaassa on hyödyllisiä neuvoja ihmisten valokuvaamisesta kiinnostuneille, niin harrastajille kuin ammattilaisillekin. Tekijän ottamat lähes 300 valokuvaa välittävät kirjan runsaan tietoaineksen helposti omaksuttavassa ja havainnollisessa muodossa. Jussi Aalto on toiminut vuosikymmeniä valokuvaajana ja valokuvauksen opettajana, pitänyt kuvanäyttelyitä ja osallistunut kirjojen tekemiseen. Kohteena ihminen on uudistettu laitos hänen 1984 ilmestyneestä ensimmäisestä perusteellisesta suomalaisesta muotokuvauksen oppaastaan. Jussi Aallon Kohteena ihminen on niin hyvä alansa opas kuin toivoa saattaa. Se esittelee kuvauksen eri näkökohdat selkeästi, mutta ei suistu tekniikan suohon.” “Kaikki Suomen näppäilijät, lukekaa tämä kirja ennen kuin haaskaatte seuraavan filminne!” Näin kirjoitti Seppo Heikinheimo Kohteena ihminen -teoksen ensimmäisen painoksen arvostelussaan Helsingin Sanomissa 2.3.1985.\u003c\/p\u003e","brand":"Jussi Aalto","offers":[{"title":"Default Title","offer_id":55041928298823,"sku":"9516080383","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/2420\/3079\/files\/kohteena-ihminen_0512_14e_1.jpg?v=1789560982"},{"product_id":"silvereye-guido-argentini","title":"Guido Argentini - Silvereye","description":"\u003cp\u003eHB, 128 sivua, 105 kuvaa. 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Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves. Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, “The Question of Belief,” by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and “In the Darkroom,” a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist’s letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. 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Ezra Pound, Marilyn Monroe, Louis Armstrong, Rudolf Nureyev, Dorothy Parker, Janis Joplin, Andy Warhol, Samuel Beckett, Malcolm X and Alberto Giacometti are among the luminaries indelibly captured. The juxtapositions of images are often meant to provoke or unsettle. Poet Allen Ginsberg, in a nude embrace with his lover Peter Orlovsky, shares facing pages with dour Henry Kissinger. There are intimate family snapshots, glimpses of the fashion world, documentary photos of the civil rights struggle. Faces of a Colorado meat packer, a Texas trucker, mental hospital patients, Vietnamese napalm victims and corpses in Sicilian catacombs jostle against shots of Isak Dinesen, Gerald Ford, debutantes and rock singers, generating an implicit dialogue about power and powerlessness, fame and illusion. A haunting portrait of our age. First serial to Newsweek; BOMC alternate. 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Everybody has a cause to plead. And everybody has a camera. It takes an intelligence as bold as Amy Arbus to turn these universal commonplaces not just into works of art, but works of insight.” —Richard Avedon Five hundred of Amy Arbus’s impromptu, edgy, and adventurous portraits appeared in her Village Voice style feature, “On the Street,” between 1980 and 1990. These black-and-white images captured New York City’s most fashion-forward residents. For the first time since that decade of self-exploration, these photographs are being revisited. On the Street is a collection of more than 70 of the most influential images, those that lend a voice to an era when individuality and self expression were fighting for breathing room in a culture that valued economics over creativity. Arbus’s lens captured New York’s most influential style-makers: The Clash on the set of Martin Scorsese’s King of Comedy; Madonna the same week her single “Everybody” hit the charts; Anna Sui; Joey Arias; Phoebe Lègére; as well as performance artists, costume designers, shop owners, musicians, make-up artists, graffiti artists, and urban hipsters. Renowned author A.M. Homes offers a marvelous introductory essay that delves into the social and cultural environments surrounding this stunning collection of photographs. AMY ARBUS’s photographs have appeared in over one hundred periodicals around the world including The New Yorker, Aperture, People, and The New York Times Magazine. She has published two books, The Inconvenience of Being Born (Fotofolio, 1999) and No Place Like Home (Doubleday \u0026amp; Company, 1986) and has had thirteen one-woman exhibitions. Her photographs are a part of the permanent collection of The Museum of Modern Art in New York. A.M. 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Sex-trade voyeur, recorder of Tokyo cityscapes, chronicler of married life, or experimental photo artist – no matter what your image of Araki, this collection will reveal new aspects of his talent, as it traces his unique vision over forty prolific years. All the pictures were selected by Araki himself (who also provides an original commentary), making Araki by Araki not only a comprehensive but highly personal overview of the artist’s work to date. 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Oppaassa on hyödyllisiä neuvoja kaikille kuvaajille, sekä harrastajalle että ammattilaiselle.\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eTekijä Jussi Aalto kertoo: ”Kohteena ihminen -kirjan ensimmäinen painos ilmestyi 1984. Kun tämän klassikoksi julistetun teoksen toinen painos ilmestyi 1999, oli maailma muuttunut hyvin dramaattisesti ja valokuvaustekniikan suuri murros teki tuloaan. Nyt tekniikan murros on tapahtunut, jo se vaatii uuden oppikirjan, vaikka se ei muotokuvauksen kannalta ole ollenkaan niin dramaattinen kuin annetaan ymmärtää – valo ja ihmiset ovat edelleen ennallaan. Koska tämä on kuitenkin minun lopullinen (tässä vaiheessa) näkemykseni, laajennan ja syvennän edellisiä oppaitani ja koetan kansantajuisesti kertoa, mitä olen elämästä, ihmisistä, valosta ja valokuvauksesta omalla urallani oppinut. 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Actors are included from such successful and ambitioud productions as Wicked, The Light in the Piazza, Hedwig and the Angry Inch, Chitty Chitty Bang Bang, and The Color Purple, to name but a few. Portraits are accompanied by synopses of the plays as well as quotes from a number of the actors portrayed. In 2006’s critically acclaimed book On the Street, Arbus focused her lens on those who dressed to express themselves—now she turns her attention to those who dress to become someone else. 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