{"title":"Valokuvaajat D","description":null,"products":[{"product_id":"john-deakin-a-maveric-eye-the-street-photography-of-john-deakin","title":"John Deakin - A Maverick Eye - The Street Photography of John Deakin","description":"\u003cp\u003eHardcover: 208 pages\u003cbr\u003e\nPublisher: Thames \u0026amp; Hudson; First edition (June 1, 2002)\u003cbr\u003e\nLanguage: English\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eJohn Deakin’s extraordinary documentary photographs are haunting evocations of life on the streets of London, Paris and Rome in the 1950s and 1960s. His eye is a profoundly generous one and his chief focus is on ordinary life. His pictures of dog walkers, priests, nuns and shopkeepers reveal and empathy to rival that of Doisneau and Brassai. 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Over the course of a year, Dow captured over a hundred images. The initial commission was funded by Target Stores. Then in the late 1990s, he returned to North Dakota to photograph Northern League baseball parks. Dow once again was hooked on North Dakota. The Museum found enough money for Dow to begin anew, but this time with one condition: he could photograph whatever he pleased but Northwest Minnesota should be drawn into the project. From a distance of twenty years, Dow saw the larger themes harbored within the photos: change, the passing of time, the innate creativity demanded of people who live in rural or remote places, and the way humans live lightly on the land and then move on, leaving marks that soon fade away. Jim Dow’s photographs are among the most important works ever created about North Dakota. They encapsulate the historic change that swept across the Northern Plains in the last half of the twentieth century. 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