{"title":"Valokuvaajat F","description":null,"products":[{"product_id":"donna-ferrato-living-with-the-enemy","title":"Donna Ferrato - Living with the enemy","description":"\u003cp\u003eSB, 176 pages\u003cbr\u003e\nAperture\u003cbr\u003e\nLanguage: English\u003c\/p\u003e\n\u003ch3\u003eLisätiedot\u003c\/h3\u003e\n\u003cp\u003eThis critically acclaimed, graphic report on family violence reveals the lives of ordinary women—and the men who batter them. “Hits you hard both viscerally and emotionally… She’s a powerful reporter; her photos are as alarming and as memorable as a scream in the night.—Vince Aletti, The Village Voice Living with the Enemy is both harrowing and moving. 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This mini-genre remains even less explored yet by photographers, though it surely offers the supreme opportunity for coaxing subjects of either sex into unself-consciousness, if not outright reverie. In Zero Mostel Reads a Book, Robert Frank takes a male comic actor for his subject but flouts the genre’s quietist sobriety in every way possible. Mostel is depicted in cartoonish dimensions, bemused, baffled and apoplectic, as he makes his way through an unidentified hardback volume, while seated at a table or on a sofa in a large lounge area. First published in 1963 by The New York Times “for the fun of it” and a collector’s item ever since, this lovely publication relates a series of theatrical and playful vignettes in which Mostel’s most famous roles—Tevye in Fiddler on the Roof, Pseudolus in A Funny Thing Happened on the Way to the Forum and Max Bialystock in The Producers—are clearly signaled. 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